Saturday, October 11, 2008 at 07:40AM
Welcome to the official website of David Marriott, and my blog, Red Raspus: Musician in Seattle, covering jazz and other music making, plus life in the arts of the Pacific Northwest. Be sure to check out the wealth of information in our Educational Resources section, the main content of the site beyond the blog and podcast. If you'd like to show your support, visit the Store for CDs, MP3s, logo gear, and more. If you're broke and want something free, visit the Downloads section. Comments? Tell us!Must Have "Jazz for Barack Obama" Button Based on "Blue Train"
If you are voting for the Barack Obama / Joe Biden ticket in the coming weeks, then be sure to snag one of these awesome "Jazz for Barack Obama" buttons from Democratic Stuff based on John Coltrane's "Blue Train" cover -- or find me on one of my upcoming gigs and ask for one -- I've got 20 on the way! If you're looking to support the other ticket, you're out of luck: after some digging around, the only real mention of "Jazz for McCain" was someone laughing at the concept. Better luck next time!
Saturday, October 11, 2008 at 07:40AM Forest Whitaker to Star in Louis Armstrong Biopic
Forest Whitaker may end up being the only person in history to portray not one but TWO famous jazzmen on the big screen. We all remember his wonderful performance as Charlie Parker in Clint Eastwood's "Bird" -- say what you will about the movie, but his acting was superb -- and now he will be taking on the role of Louis Armstrong in a the film,"What a Wonderful World". Whitaker will also direct the film, which is being produced by Paris-based Legende and co-executive produced by Oscar Cohen, executive of the Armstrong estate and the Louis Armstrong Educational Foundation. With seemingly little action going on in the "jazz film" world, this new production will start shooting new summer in Louisiana. Maybe Buddy Catlett will get a cameo!
Wednesday, October 8, 2008 at 03:07AM in
In the News,
Jazz at the Movies Watch Video of the Solo J. J. Johnson Called "The Most Articulate Trombone Performance I've Ever Heard"
I clipped this article from the March 1988 Downbeat magazine many years ago while doing my studies at the University of Washington:
I remember seeing this video on TV, but I guess I didn't make it to this part of the program -- after all, I was only 14 years old when this would have been on TV, and probably had to go to bed early on a school night. I've thought of this video off and on for many years, and nobody I talked to ever seemed to have a copy. I got an itch to search for it again, and found it -- of course -- on YouTube. Someone had posted the whole concert in pieces, so I snagged Slide Hampton's solo, and edited it up for your viewing pleasure. Behold: the solo that J. J. Johnson called "The Most Articulate Trombone Performance I've Ever Heard": (click here if you can't see the video)
Tuesday, June 3, 2008 at 05:18AM In The Beginning There Was a Bass
Forwarded to me by Steve Korn, this is the introduction to bassist Tony Levin's book, "Beyond the Bass Clef: The Life and Art of Bass Playing". It is a great take on the creation story ala bass clef:
In the beginning there was a bass. It was a Fender, probably a Precision, but it could have been a Jazz - nobody knows. Anyway, it was very old ... definitely pre-C.B.S.
And God looked down upon it and saw that it was good. He saw that it was very good in fact, and couldn't be improved on at all (though men would later try.) And so He let it be and He created a man to play the bass.
And lo the man looked upon the bass, which was a beautiful 'sunburst' red, and he loved it. He played upon the open E string and the note rang through the earth and reverberated throughout the firmaments (thus reverb came to be.) And it was good. And God heard that it was good and He smiled at his handiwork.
Then in the course of time, the man came to slap upon the bass. And lo it was funky.
And God heard this funkiness and He said, "Go man, go." And it was good.
And more time passed, and, having little else to do, the man came to practice upon the bass. And lo, the man came to have upon him a great set of chops. And he did play faster and faster until the notes rippled like a breeze through the heavens.
And God heard this sound which sounded something like the wind, which He had created earlier. It also sounded something like the movement of furniture, which He hadn't even created yet, and He was not so pleased. And He spoke to the man, saying "Don't do that!"
Now the man heard the voice of God, but he was so excited about his new ability that he slapped upon the bass a blizzard of funky notes. And the heavens shook with the sound, and the Angels ran about in confusion. (Some of the Angels started to dance, but that's another story.)
And God heard this - how could He miss it - and lo He became Bugged. And He spoke to the man, and He said, "Listen man, if I wanted Jimi Hendrix I would have created the guitar. Stick to the bass parts."
And the man heard the voice of God, and he knew not to mess with it. But now he had upon him a passion for playing fast and high. The man took the frets off of the bass which God had created. And the man did slide his fingers upon the fretless fingerboard and play melodies high upon the neck. And, in his excitement, the man did forget the commandment of the Lord, and he played a frenzy of high melodies and blindingly fast licks. And the heavens rocked with the assault and the earth shook, rattled and rolled.
Low God's wrath was great. And His voice was thunder as He spoke to the man.
And He said, "O.K. for you, pal. You have not heeded My word. Lo, I shall create an soprano saxophone and it shall play higher than you can even think of."
"And from out of the chaos I shall bring forth the drums. And they shall play so many notes thine head shall ache, and I shall make you to always stand next to the drummer."
"You think you're loud? I shall create a stack of Marshall guitar amps to make thine ears bleed. And I shall send down upon the earth other instruments, and lo, they shall all be able to play higher and faster than the bass."
"And for all the days of man, your curse shall be this; that all the other musicians shall look to you, the bass player, for the low notes. And if you play too high or fast all the other musicians shall say "Wow" but really they shall hate it. And they shall tell you you're ready for your solo career, and find other bass players for their bands. And for all your days if you want to play your fancy licks you shall have to sneak them in like a thief in the night."
"And if you finally do get to play a solo, everyone shall leave the bandstand and go to the bar for a drink."
And it was so.
Monday, May 26, 2008 at 04:26AM in
Humor Marc Fendel's 21 Jazz Recordings from Which I Learned
Marc Fendel sent me a great list to put on the blog a while back, and I'm just now getting to posting it. The list is the twenty-one recordings that Marc learned from as a young student of jazz music in his first eight years of playing. You'd be hard pressed to find another list that provides such a solid foundation for becoming a jazz improvisor.
Marc Fendel's 21 Jazz Recordings from Which I Learned:
- Cannonball Adderley “What Is This Thing Called Soul”
- Cannonball Adderley “and Nancy Wilson”
- Cannonball Adderley “In New York”
- Cannonball Adderley “Nippon Soul”
- Cannonball Adderley “Just Friends”
- Cannonball Adderley “Know What I Mean”
- John Coltrane “Blue Train”
- John Coltrane “Giant Steps”
- Miles Davis “Miles and Coltrane”
- Miles Davis “Kind of Blue”
- Kenny Dorham “Quiet Kenny”
- Dexter Gordon “Go”
- Dexter Gordon “Great Encounters”
- Dexter Gordon “Manhattan Symphonie”
- Dexter Gordon “The Jumpin Blues”
- Gerry Mulligan "with Chet Baker"
- Art Pepper “Meets the Rhythm Section”
- Sonny Rollins “Live In Denmark vol. 1 & vol.2”
- Sonny Rollins “Sonny Side Up”
- Sonny Rollins “Worktime”
- Sonny Stitt “Sits In with Oscar Peterson Trio”
Monday, May 26, 2008 at 03:37AM in
Music Education 


